reaching back through time to lay hands in the forges of metal, nycs children riff out the present with their debut, hard times hanging at the end of the world. formed through jam sessions by guitarists skyler spohn, jonny rad ollsin (formerly of vancouvers s.t.r.e.e.t.s.), and drummer adam bennati (of early man), the group laid waste to clubs in and around the city beginning in late 2006, and have kept shredding onward. tradition meets stamina head on throughout hard times six massive tracks. with intricate, narrative dual guitar work and a frenzied, wired demeanor children bring it all together: thrash advancements, serious girth, familiar passages crosscut with relentless speed, a formidable edge, and self proclaimed spiritual conspiracy party riffs.

with the huge stormtrooper and amok release still fresh in the memory its time for the new one on amoks flagship. during his numerous dj sets all over the world he has the option to test all this new tracks he gets from so many good producers in the world. this time he collects the best of them and puts it all on one ep. a various artists ep selected and tested by the man himself. what else do you want!

>seleccion natural< is a project made by the cream of spanish techno, this four part work has seen the light on different labels and now its time for warm up.
oscar mulero delivers the original parts and version for this tune, reworked and revisited by the rest of the partners in crime: christian wunsch, exium and reeko, each one giving their own vision on the noises made by oscar.
original mix kicks off with broken rhythms, crunchy and industrial like, with a heavy synth line approaching till sweeping drones and abstract textures bring to an epic breakdown that will sure destroy more than one bass speaker. another energetic piece of intelligent dance floor techno.
wunschs work is more direct and 4x4 based, taking the synth line from the original and adding detroit flavoured stabs and sharp claps to make a massive techno tool.
exium offers a completely different vision, using the drones and textures as starring, plus arpeggiated synths and baroque percussions fills the arrangement. energy is the word for this remake.
closing release reekos version recreate the spirit of the original, with broken drums again, using the synths on a clever way, extending the arrangement longer on an epic development till the bass drum comes in after 3 minutes of metallic madness. the ultimate release of a series on the most eclectic way. absolute quality.

with the huge stormtrooper and amok release still fresh in the memory its time for the new one on amoks flagship. during his numerous dj sets all over the world he has the option to test all this new tracks he gets from so many good producers in the world. this time he collects the best of them and puts it all on one ep. a various artists ep selected and tested by the man himself. what else do you want!

the first release on phonica white limited series is from tokyos iori. this young producers impressive work ranges from woozy ambient electronics to full-on club tracks. the common thread is a highly developed sense of texture and arrangement.a-side galaxy is simply lean, expertly crafted techno, led by a rolling bassline and crisp hi-hats, with hypnotic melody patterns skittering off the surface. its a trippy but accessible heads-down affair that has the depth and the bite to do damage at peak-time and in the after-hours alike. urge on the flipside is an even deeper, sub-heavy cut, an insistent, club-friendly groove swathed in burbling synth arpeggios and fx. despite being stripped-back, the sound design and sheer warmth of the production is incredible. the track really breathes.

the second installment in the split lp series is a dutch affair, but it has everything it needs and more to soon make name far abroad. each side of the record contains a complete work clocking in at about twenty minutes.
side a is >chime ep< by hydrus. the four tracks they contributed stand out because of their meticulous production and their wonderful sense of melody and emotion. this is music in the best electronic tradition, blending hiphop, idm, ambient, funk, drone and badass breaks. hydrus begins this twenty-minute journey with a funky bump and end it in a mess of nervous percussion, splintered to dust.
side b is an altogether positive and quirky piece of work by kettel. like most of his work of the last few years, >yellow baron< is exploding with beautiful melody. in six tracks kettel puts everything to work to make your head bop, to bring a smile to your face and a tear to the corner of your eye. classic stuff, without losing sense of experiment.

mike minds only previous release, >acid machine<, has been tigas most played record since it was made. a full-time turbo employee, he has spent the past few years getting his brain around making techno, and continues to impress us with his output. his debut ep, >resonate<, is something of a departure for our label, and one we are very proud of.
its amazing to have this kind of music coming directly out of turbo hq, it nails a sound that we have always tried to cultivate. minimal without being boring, trippy without being predictable, unafraid of melody, and with just enough analog imperfection and warmth to it.
both of the remixers we chose represent different sounds in techno that have influenced mikes sound.
1: sophisticated italian groove*
giorgio gigli is an italian minimal-trance maestro, an incredibly modern renaissance man who is also a trained sommelier.** he is rising in the ranks and catching up in profile to his occasional production partner, donato dozzy. hopefully we will have more of his tracks on turbo soon.
2: m¦n¦m¦l
hobo is a fellow canadian best known for his excellent work on m¦nus. rumor has it, he borrowed richies quad-macro template file to finish the final version of this remix... whatever he did, his second effort came up huge, this mix is excellent.
enjoy!
thomas von party
* i have to include the word groove in every turbo onesheet i write, its either that or washing my hands constantly.
** true! go to turborecordings.com/sommelier to see giorgios chart pairing ten tracks
also: check out part 1 with a stunning kebacid (jesper dahlback & jori hulkkonen) remix

a new environ... always something to look out for. here a retro kevin saunderson meets mark kinchen work out... big fun meets show me love. designed to become a hit. comes with a morgan geist remix. hit.

1988 industrial / ebm classic!!!

played by: andreas henneberg, ascii disko, franco bianco, frank sonic, homebase, kiko martinez, oliver klein, paco osuna, patrick bateman, stephan bodzin, sweet n candy, tim green ...
awesome work from the big french newcomer leghau with a great remix package that includes greg delon, citizen kain & phuture traxx and bjoern stolpmann remixes.

peter kruder returns to the gigolo mega-church to present two new tracks from his recent arsenal of techno and house dance-floor bombs. needless to say 2009 has been a good year for gigolo and hell with the high times being shared by peter kruder. beginning back in march when we released peter kruders first 12 inch in 7 years as part of the cd eleven release. followed swiftly by the release of dj hells acclaimed >teufelswerk< album, recorded and produced largely in peter kruders vienna based studio. so as we approach the end of 2009 it gives us great pleasure to announce the latest ep >hard to find<.
on the a-side you find the title track, which takes in influences from detroit techno circa the age of ur to north african hooks. the filter sweep towards the end, which serves as the drop/break, is a master-class in restrained modulation that is bound to ignite any dance floor. on the b-side we find >25 west 38th st.< a slightly more reserved affair opening with the sound of the ocean air, then swiftly diving into a bass driven groove, which features lush strings and a piano-led top line creating a track that is as atmospheric as it is rhythmic. the ep itself takes influence from the b-side on two levels, the most immediate being the title of the track, which is the address of the old nu groove records offices. this is peter kruders homage to a time when dance music served as a momentary escape, an opportunity to make those around happy. it also brings peters relationship with gigolo records full circle, having begun in 2004 with his >nu groove< remix of hells >listen to the hiss<.
resident advisor recently alluded to the idea that peter kruders finest solo work is coming exclusively through gigolo records. it is certainly not beyond the realms of possibility as this latest record goes a long way to proving. with such a statement in mind we invite you to listen to the latest release from peter kruder.

remixes by masters at work of simply reds >thrill me< (1991) and xaviera golds >gonna get back to you< (1992).

pawel aka dial cofounder paul kominek aka turner just finished his debut album to be released in january 2010. >berkeley< introduces the upcoming longplayer inspired by almost two decades of detroits planet e - era and another 10years dial records. pawels music can be regarded as the essence of the labels work: deeply outstanding pearls for a dancefloor in love.

hamburg‘s very own stimming arrives on the hospitable shores of a freshly cut audiomatique with the wonderful ‚buxton pipes‘ ep. with releases on diynamic, freerange, terminal m and liebe*detail martin stimming‘s carreer was boosted by the underground hit „una pena“ last year and peaked in his debut album ‚refl ections‘ earlier this year. ‚buxton pipes‘, the lead track on the new ep, is a beautifully reduced, gentle roller that combines textural, shifting fi ltered percussion, phasing, effected melodies and a rich sub-room sound design that confi rms stimming‘s talents at working those subliminal zones. dainty, pretty and yet totally punchy at the right volumes, its a genuine slice of ultra modern micro-post-minimal- house. continuing the trippy, time-melting vibe perfectly, ‚kakusei‘ arrives with its pushing array of softened percussion and carefully extended spooky breakdowns. sliding and squelching through 7 minutes of prime tracky workout territory its another stellar addition to the record. finally the skipping ‚seepferdchen‘ throws a spanner in the otherwise smooth grooves with delicately jacked drum patterns and controlled sub-bassline throwdowns. super funky, ultimately reduced and sample-heavy it‘ll make those afterhours carry-ons all the more delicious. simply superb work from stimming on audiomatique. tracklisting: a: boxton pipes b1: kakusei b2: seepferdchen

hi quality nu disco work from scandi’s best kept secret kool dj dust !!

incl. manuel tur remix. the second chapter in mild pitch history reveals the cryptically twinkling gem that is langenberg s times , a dark yet sensitive house affair which easily bridges the gap from a rougher 1990s new jersey kind of feel to the modern takes on house music of today. filtered stab fragments and deep chordal layers gently slide into each other like watercolour and the shifting frequencies of a sizzling vinyl record contribute to langenberg s most thrilling work to date. on the flip, manuel tur gears up for an atmospheric remix expansion reminiscent of his critically acclaimed 0201 album debut on freerange earlier this year. countless harmonic layers twine around a filtered disco sample, without ever revealing its full sound spectrum while the raw tripping beat keeps stomping relentlessly…

juke and ghetto house hero dj gant-man was part of the fools gold family from the start - his remix of kid sisters >damn girl< was on the back of our very first release, quickly followed by production on kid sis >switch board< and shows around the country as her tour dj and hypeman. so naturally, we are very proud to present gants new solo single and debut fg artist release, >juke dat girl<.
from his earliest 12 inches on dance mania, to rocking parties around the world on the rave and club circuts alongside legends like paul johnson, gant has been pushing his signature chicago sound for almost two decades - mixing up rapid-fire juke beats while referencing all the house and disco classics that first paved the way. >juke dat girl< is the latest development of gants hybrid approach, slowing the bpms down to a more universal tempo but keeping the hyper, party-starting energy intact.
the banging original also comes backed with two massive remixes - an amped-up rave version from the heavily buzzed dc duo nadastrom and a groove-filled uk funky house rework from ex-bugz in the attic producers greenmoney. the entire single is a dj must-have, so pick it up and work! and juke! and work! and juke…

patterns has a string of releases lined up of pure quality funky techno and next in this line up is no other than josh love! josh has been doing great work lately solo and with his partner mat303 recently on labels like: kazoo, relatives, techhead & subcult to name just a few. he also has a release upcoming with great response on the patterns sublabel special series. now its time for a solo ep on patterns. the ep is in true patterns style. the a1 starts of with a synth driven funky techno track. the rest is funky techno like it should be. nice samplework, big beats filled with heavy percussion and basslines. all in all a great debut ep from this french producer.

john tejada was marooned in los angeles in the summer of 82. a strange place to grow up coming from vienna austria. even stranger considering the lack of techno there in the 90s. in a land of glowsticks and desert parties, tejada stuck to his love and development of his own unique electronic sound. fast forward to 2007 when detroit area native josh humphrey was also marooned in los angeles. it didnt take long for the two to meet and connect the cables on their modulars into a system twice as big. the result is marooned, palettes newest collaboration between john tejada and josh humphrey. the trio of songs reveal three sides to the duos work. the title track, marooned, joins humphreys modular synth work with tejadas beats and soothing pads, the result being a slice of beat-driven melodic techno created in a city where such sounds are rarely heard. melodiac continues from there with a lighter mood, with humphreys modular melodies and tejadas signature stabs and rhythms. rounding out the three is concrete safari, which largely focuses on humphreys modular fm synth work that slowly evolves into a cluster of tribal sounds, modular birds and grainy goodness. humphreys knowledge of synths and programming is quite extensive. he currently works with la based big city music, a dealer of modular and boutique synthesizers. it is also a place tejada frequents to test most of his gear

slammin 2003 release by sina m solouk aka devilfish (bush records ...) on frequent.

belgian producers sierra sam & marcus vector return to their house-oriented project d.i.y. (dumb irresponsible youth) for three more sly, sexy groovers, with contributions from dop, big bully and markus fix.
while sam and marcus are generally known for their more techno-focused productions, last years house tools vol. 1 was a minor hit, with tracks included in ellen alliens resident advisor podcast, jay hazes recent fabric47 mix cd, and m.a.n.d.y.s charts. since then, they ve kept busy with their own toys for boys label, meanwhile sierra sam has co-produced the debut album by bloody mary on contexterrior.
still, they ve found the time to crank out these new elegant-yet-sleazy cuts, and while vol. 1 was purely instrumental, for vol. 2 they ve roped in some guest vocalists. first up is their collab with comrades dop (circus company, eklo, supplement facts). >kilimanjaro< features d.i.y.s tribal bounce combined with dops seedy, trent reznor-on-opiates vocal delivery.
the flipside has two versions of >suck my caulk<: d.i.y.s original elevates thelevel of melody and sunshine, weaving in the voice of big bully (known forhis work on spectral, get physical and vakant). markus fix of cecille offers his own interpretation, bringing the track down into deep house territory. placed in the right hands, these tools can do some serious dancefloor damage!

after martin landskys last bomb on poker flat, man high, he comes back faithfully with we are streaking, a tasty two-tracker rich in classic landsky synth-work, deep moody melodies and forward pushing energies throughout. title track we are streaking sends a warm pulsing sonic charge right to the core. rushing, phasing and casually dramatic, an insistent synth theme revolves at the heart of this timeless slice of driving electronic house. characterised by landskys experienced produciton hands at the controls, its a slow tweaking, extended cut that will take you back whilst keeping your body very much in the here and now. the sharp post-electro swagger of personal decay punches in time to the heartbeat of a generation. taking inspiration from those adrenal, early days of rave, landsky combines modern, fi nely tuned electronics with raw, dubbed and funked passages of killer proportions. once again a perfect driver, in classic style martin shows off all angles of his love for the beat.

lets have fun! - thats the mantra of big zis and the crew of nation music. the swiss black music label has been broadening its musical spectrum over the past years. just like the artist big zis, whose music could most likely be labeled electro pop alternative punk rap, they dont care about common conventions.while rap becomes more and more pimped out, house loopier and minimal narrow-minded, big zis hooks up with a top-class troupe to get it her own way.for her most recent album und jetz … (and now …) she worked with marton di katz and valentino tomasi (both members of kalabreses famous rumpelorchester), who laid the musical foundations for most of the songs. for the impulsive electro on the track suure räge (acid rain) however, big zis collaborated with the techno producer michal ho (tuningspork) at the studio. suure räge got remixed by several well-known producers: robag wruhme (freude am tanzen) and canson (gs zürich) are to be found on volume 1 and the soul brothers lexx (aka kawabata / drumpoet) and kalabrese (stattmusik) successfully combat boredom on volume 2. the sound scapes of the remixes couldnt be any more diverse and cover a broad variety of styles. and be sure: volume 3 - work in progress - will delight you as well!

the title of max coopers stochastisch serie ep, refers to his use of stochastic methods, also known as non-deterministic, or random methods of sound generation. stochastic elements referring here mainly to real sounds including vocal experiments and sampled sounds which create a complexity and richness which has been a trademark of many well known traum releases in the past. the london based artist max cooper sees his new 12 inch as a construction of different moods going beyond club music, as witnessed in the past through tracks such as i and end of reason. it is no surprise that dischordance is another one of these timeless pearls alongside these mentioned tracks that have created a fan base worldwide for him. the friction max generates is created by two sides colliding, the synthesised drums and melodies and the random experiments with voice. his dance floor rockers stochastisch serie and mnemonic work in a much more functional way but do include bits of this randomness and therefore are part of the superstructure stochastisch serie. the remix of uk producer leeks is very hip in style and sound and will please a lot of younger djs who love the cool swing and groovyness with music and will find the functionlism here going very strong.

ever since kid massive decided to re-work this true classic, it seemed that many other people wanted to join the ride. we can surely say, this is the one! kids sound, the vocals of elliotte and the fantastic original song push it to the next level for 2009. on the remix duties no other than: avicii, carl tricks & beatchuggers!

torsten kanzlers next clubburner is in record stores now! be prepared for real kanzler sound: merciless stompin, mind blowing and powerful! these tracks will force you to dance! very good work by mr. kanzler! be fast to save your copy... this hot stuff will be out of stock soon!

a 12inch ep called here we come is filled with funky, groove and latin techno ryhmes from well known and respected artists in today s techno scene. a side contains american express techno machine bryant baker cooperating with croatian dj and producer miche. their track just deserves to be on the pole position spot a1. funky, groove and unique are just 3 words describing their work as a team. a2 spot represented by upcoming spanish star rantan.
da ghetto party is one track among the others which is really special and exclusively done for >beat forming< this lp. nice and smooth, groove and driving techno.
b side has been reserved for a latino dancefloor kicker done by josh love. the track is called sexiest rasta. jamaican rasta voice, nice groove beat and overrated control over everything. josh did a good work by making this happen. great track to jump on!
the last but not the least is a track done by kai aka vortechtral on b2. nice, smooth, groove and melodic techno track to dance on. great one for filling the 3rd deck with >the badman< voice thru the track.
beatformers are sure that this is an ep to keep an eye on. here we come ep is one of the newest on the market. a new era of techno on the 12inch!

greg schappert aka donor (brooklyn, ny) and tom russell aka truss (london, uk) first came into contact sometime towards the end of 2006. it didnt take long to realize that they had an immediate understanding of one anothers musical background and desired direction. finding that connection has resulted in the two continuing to work together on many joint projects, varying their style between more deep and hypnotic minimal techno to the more driving industrial style techno that they both grew up listening to.

russells contribution to the modern music scene is of such imortance that many consider his work to be untouchable but in this release all of the modern day producers have carefully picked out key elements of his songs whilst recording an entirely new and up to date soundtrack. over the last few months yam who?, robin & simon lee from faze action, singer mary moore, nycs pocketknife and my tiger my timing, andy spence from new young pony club have worked hard to create entirely new instruments and vocals. additional remix comes from mark e. especially fantastic cover version of >in the light of a miracle< by faze action ft. yam who and mary moore. features sleeve notes by danny krivit. heavy weight release.

donovan is a french parisian duo consisting of david saïd and nicolas nekmouche, formed in 2007. influenced by black music, french touch and techno as much as contemporary artists, donovan created an original sound, melodic and also very club, with tracks like >breakin, released on work it baby, a track featuring jessica rizzo released on gigolo records etc. so combining their respective influences, they obtain tracks full of energy and depth. the band hits the bulls eye and remixes requests start to pour in. among them two tracks of sebastien tellier for record makers, teenage bad girl, arnaud rebotini and several rock bands. dont pass on this one !

nice price deal !!! following up on her unanimously acclaimed debut album may be later (vakant), chilean artist and berlin transplant alejandra iglesias conceived anemik entirely for the wagon repair label after being approached by label head mathew jonson. a musing on femininity and the fine line between romance and delirium, anemik transcends borders in its range of influence and reflects consciousness in the fluidity and tangibly live origins of its creation. recorded using analog equipment and acoustic instruments with a strong emphasis on voice, there is a wisdom and maturity to this work that suggests an artist in the prime of her life.

with the help of bodie lee and his nuboogie series project we managed to lay our hands on the master tapes of this early 80s disco hit by beggar & co. (and with hit we mean hit... like top 10 positions uk and us etc). we already got some raving reactions from people who use to love this big brit funk tune back in the days... and this might even sound better! nice remix challenge for greg wilson and elitechnique... both delivered the works! we could write a long story about the remixes and the remixers... but just choose your favorite. 2 sublime nu disco funk work outs!

excellent pumpin 4 track techno ep !

this is quenums first release on clapper!
a side: cargo
this track is techno with a touch of old school, but decidedly modern, not nostalgic. it s built on a groovy techno rhythm that quenum knows to do so well, with a recurring agitative sound that takes you one level higher. the earthy music, rooted by the feet in the ground, grabs the hips.
b side: ouidah
welcome to west africa and the port city of ouidah, home of the quenum clan. this track is classic quenum, clear-headed techno influenced by african rhythm, hypnotic percussions and inimitable touches that add warmth to the sober mix. this one is for the head, but without letting go of the hips.
dachshund and quenum will alternate their work on each release, so look out for the upcoming clapper 003 by dachshund. in the meantime, check out this track and enjoy the show!

after years of work as samplers and electronic textures operator in the famous french live dub band kaly live dub, uzul joins dub technic for his nu dubstep project released on 2 vinyls incl. walls will certainly be crumbling once its all heard! dj support from skream, starkey, mary anne hobbs, dj youngsta, the plastician, headhunter...

ranking records 10th release sees russian producer/vocalist marina faib burst onto the scene with a 12inch that is frankly nothing short of astonishing. for a girl born in the 1990s, faib shows astounding maturity in her restrained approach to sound and rhythm, employing stuttering drum loops to underlay soundscapes that would put many a hollywood composer out of work. ticking clocks is a spine tingling example of this: the texture of the track comes from a euphoric choral sample which soars over a deep chasm of sub bass energy, climaxing in the perfect placement of a slithering arabic reed solo. whisper of trees shows the same mastery of atmosphere and musical arrangement - this time the tune is built from blissed out vocal lines, warm synth pads and a pulsating low end.

after sizes debut on adam beyers truesoul, size hits amsterdams 100% pure label with stripped down funky beats which are bound to work those big systems!

hot city is dropping some severely skewed house music, twisting it up with his own blend of jackin chicago house, 2step/ukg, and bass bumpers. with only two tracks sent out to a handful of the finest djs around in the past few months, he s secured two gigs playing out at wifey, certainly the most fun club in london at the moment, and managed to generate a fair amount of hype already:
- smash, this is a mega rave hit bro, nice one! - drop the lime (t&b / nyc)
- very nice, thanks for this, will def play it - hudson mowhawke (warp / glasgow)
- i really like both these tracks, kinda minimal garage, very cool - hannah holland (batty bass / london)
the tracks on this new 12 inch build on the momenetum, with two tracks of stripped down dancefloor killers - >yeah!< is a monster builder, all todd edwards style swing and tight edits with crazy deep kicks, chopped up vocals, old school piano stabs, soaring strings, and hands in the air breakdowns. already being played out by drop the lime (check his latest exclusive mix for fact magazine where he opens his set with >yeah!<). >head work< on the b side is on more of a masters at work/harddrive era tip - deep garage beats tripping over themselves, burbling oddity synths, shuffling snares and the weirdest vocal melody breakdown/build-up ever!
the originals are complimented on the 12 inch by two remixes - tvo takes yeah! to another dimension altogther with a head destroying 140bpm hardcore junglist remix. on the flip, san franciscos eats tapes take >head work< into the wonkiest area of minimalist techno, showcasing their totally unique take on future groove.
the ep has been mastered by the irrefutable shawn hatfield/twerks special touch, bringing out the strengths of each track and tweaked for that perfect crisp warm vinyl pressing.

after their new york city debut earlier this year, the buzz on jessica 6 began to brew. the group which features bassist andrew raposo, keyboardist morgan wiley and singer/songwriter nomi ruiz (of hercules & love affair), who all met while on the 2008 hercules & love affair tour, have been hard at work in the studio cultivating a sound that is equally dark as it is sexy, soulful and ready for the dance floor.

lee curtiss and spectral sound have been running in the same pack for years-&#64257,,nally, after suf&#64257,,ciently circling each other and snif&#64257,,ng each others business, spectral and lee have joined forces to release the detroit producers the black door ep, and it s a doozy. lee curtiss traf&#64257,,cs in airtight, undeniable dance tracks with a tricksters sense of experimentation-the black door ep is all that and more, a beguiling 12 inch whose charms multiply with each listen. >black door beauty< opens side a with a touch of chicago futurism, spinning congas, staccato vocal samples, and a swift dusting of hi-hats into a house anthem with psychedelic undertones. berlin producer dyed soundoroms remix minimizes the sub-bass thump and plays up the tracks oddball trappings, tricking out >black door beauty< with the sounds of creaking hinges, neurotic synthesizers, and a particularly creepy chorus of hysterical tittering. b-side >smoking mirrors< guides the listener through clouds of melting organ tones and busy, polyrhythmic click-clack as a sturdy bassline (with a funky, french-house beat skip) cuts through the haze. curtiss lets the rhythm do the work, building to multiple climaxes in the span of seven minutes. at the end of each anxious buildup, there s a womans breathless moan, a let-the-air-out-of-the-tires hiss, and it s time to do it all over again.

>die faser< is starting. the 1st 12inch part of cio d or album appears to our senses. this release is all about >goldbrokat<. starting with a wonderful ambient intro track called >zellulose< this one forecast the arrival of an marvelous prologue release – cios work is the musical interpretation of her personal sound pasion: deepest and bass enriched synth structures build a phantastic world of liquid and transparent sound relives. the b-side fulfils the promise with additional explanations from donato dozzy, dawdling and rapid. donatos picture follows the spirit of cios music and deliever a awesome ambient and techno remixe of >goldbrokat<. this release opens a series of 3 individual eps with great remixers. consume in club environment mandatory!

the voyeurhythm crew from london is doing their first record! ben sun, megadon betamax and hollywood nites deliver some shit hot slo-mo house and disco tracks that go somewhere ugly edits and mark e. crazy stuff that work very well. total killer is the b side cut by ben sun that covers the whole side. a incredible funky and rocking disco funk tune with crunchy 12-bit beats and a soul vocal give way to joyful swinging keys and a driving deep-disco groove. this sounds like one of the best kdj releases! recommended.

feedback / support from:
laurent garnier: cool house swings ... will play in the mix ... yesss thanks for this
brothers vibe: nice work! compass & zooparty are my favs. will def play ... reminds me of good ol dj tracks ... well done!
>obviously las meninas< is the name of a new series of dancefloor/dj tools dedicated tracks to be release on terpsichore. jefferson velazquez opens this series with 4 pieces of grooviness.

nice price deal !!! ifidotas production wizard and master of the studio tboy has just completed work on his first ep titled >full range< - out now for the debut release on new london based label ifidota music. the ep includes the track >kioto<, an outstanding tune building warmly with a full range of electronic music production. this track has interesting tech-house grooves and deliciously charged rhythms with infectious melodies throughout making this track a true dance floor essential! on the flip side, >schu_mann< brings tboys signature bouncy tech house energies to climax! including many playful twists and plenty of hypnotic builds. >right!< is another bouncy track with some friendly outer space flavours thrown in. this one is sure to get your shoulders shuffling giving the rest of your body no choice but to follow … this boy knows how to make music!

submissions with another great techno release! two heavyweight producers ogi and the concrete djz work together to bring you one big fat ep! solid driving techno with the big kicks ogi is known for and the rolling style of the concrete djz combined.. if that isnt convincing enough, just listen and be amazed.

home taping is killing music is a fresh new imprint that is all about a return to house music. producer of the moment the revenge (instruments of rapture/jisco music) kicks things off for the label in fine style with the stunning >forever in their debt<. a homage to the house producers that have influenced them and the artists whose samples have continued to drive house music forward expertly channeling the spirit of early chicago warehouse music, but with a modern production twist that truly captures that classic sound, but packs enough punch to wipe the floor with most of its peers. on the flip, maverick producer and dj red rack em (tirk/untracked/deep freeze) takes the track on a road trip to detroit, and produces a deep, moody and atmospheric version which brings to mind the work of pepe bradock and theo parrish. two sides, two flavours. both 100% house

nice price deal !!! alessio mereu, a classical piano player since he was just an eight years old kid, moved to electronic music in the last few years with his trade mark hypnotic and full of groove defined style. even though he is a very young artist, he is a talented and appreciated producer who broke the scene just at 18. recorded for eminor records, orion & paco osunas mind shake label.
this, his 1st release for pick pocket, will feature some of his best work, francas heart has all the marks of being a hit, groove is so spot on & melodies coming in & out through out the track. this has all the right elements in the right places. a classic 10 / 10
dancing in the dark - this track simply moves you in so many ways, excellent percussive programing & synth lines that wave in & out of this simply. very nice piece of work. a new talented artist to watch out for in 2008.
padded cell - pick pocket comes with yet another deep cut, this time more minimaldub than techno, with some deep basic channel frequencies that will make you connect with your deeper side. it s all about the rhythm & the sound ...

do you know gummihz? the gummihz that hails from greece but was raised on a steady diet of chicago and new york house? the gummihz that sings? the gummihz that incorporates disco, electro, jazz, and chanson into his productions? well if you don t, now you will. the >sleepless nights< double 12 inch is gummihz first release on mobilee since >under the sun< and is a radical departure from anything we ve ever heard from gummihz ù or even mobilee ù before. gummihz multidimensional production abilities allow him to dig deep into his roots and influences on the one hand while simultaneously exploring new, uncharted territory on the other. alternatingly retro and futuristic, this two-part ep series is a portrait of gummihz as an artist from a variety of angles, one we ve only seen fragments of up until now. one might view this ep as an attempt on gummihz behalf to explore his musical roots in a contemporary context, with the end result being a strikingly varied yet cohesive statement of gummihz musical and artistic leanings. on the one hand, gummihz delves into his past, with tracks such as >sunshine dub< and >bang< fusing the samples, cut-offs, and filtered loops of french house with an almost balearic, hypnotic twist. on the flip-side, we also get a snapshot of gummihz at his most somber ù>love call<, featuring vocals from gummihz himself, has a jackin house beat but bears no resemblance to the cheery sounds of chicago house on which our grecian friend was raised. instead, he favors a cloudy, almost cold-blooded vibe, with chilling lyrics manipulated to the point of near-indecipherability (bringing to mind the brilliant vocal work of the knife and fever ray) with a final product that is nonetheless aptly suited for the dance floor.

do you know gummihz? the gummihz that hails from greece but was raised on a steady diet of chicago and new york house? the gummihz that sings? the gummihz that incorporates disco, electro, jazz, and chanson into his productions? well if you don t, now you will. the >sleepless nights< double 12 inch is gummihz first release on mobilee since >under the sun< and is a radical departure from anything we ve ever heard from gummihz ù or even mobilee ù before. gummihz multidimensional production abilities allow him to dig deep into his roots and influences on the one hand while simultaneously exploring new, uncharted territory on the other. alternatingly retro and futuristic, this two-part ep series is a portrait of gummihz as an artist from a variety of angles, one we ve only seen fragments of up until now. one might view this ep as an attempt on gummihz behalf to explore his musical roots in a contemporary context, with the end result being a strikingly varied yet cohesive statement of gummihz musical and artistic leanings. on the one hand, gummihz delves into his past, with tracks such as >sunshine dub< and >bang< fusing the samples, cut-offs, and filtered loops of french house with an almost balearic, hypnotic twist. on the flip-side, we also get a snapshot of gummihz at his most somber ù >love call<, featuring vocals from gummihz himself, has a jackin house beat but bears no resemblance to the cheery sounds of chicago house on which our grecian friend was raised. instead, he favors a cloudy, almost cold-blooded vibe, with chilling lyrics manipulated to the point of near-indecipherability (bringing to mind the brilliant vocal work of the knife and fever ray) with a final product that is nonetheless aptly suited for the dance floor.